Emerging from the thick of the traditional music scene, the fiddling of April
Verch is a breath of fresh air. Though she has deep roots
in the fiddling of her native Ottawa Valley in Canada, April's
broad repertoire features traditional and contemporary tunes ranging in source and inspiration
from Quebec to the Appalachians, from Eastern Europe to Brazil
- not to mention her own colorful compositions. EnRoute magazine
says "April's strings burn with energy, whether she's playing
waltzes, airs, reels, or polkas. This is the hottest old time
music of the year." No matter what you call it, April's music
is beguiling in the way it brilliantly balances contemporary
élan and traditional resonance.
April's accomplishments extend far and wide, artistically and geographically.
As a headliner, special guest, and backing musician, she has
toured across Canada, in the United States, the United Kingdom,
and the United Arab Emirates. Amongst many honors, April performed
for the Millennium Celebrations at The Kennedy Center in Washington,
D.C., and was a guest at Chet Atkins' tribute in Nashville,
along with a host of Grand Ole Opry stars. She was also a
featured performer at the Oklahoma International Bluegrass
Festival and at Fiddles of the World. And let's not forget
her coveted titles of Canadian Grand Masters Fiddle Champion
(1997) and Canadian Open Fiddle Champion (1998).
April studied fiddling at Berklee College of Music in Boston, MA, under fiddle
greats Matt Glaser and Darol Anger. She is now in great demand
as a teacher herself, instructing at as many fiddle camps
and workshops as her performance schedule will allow. But
this young musician is not only highly sought-after for her
master fiddling, but for her virtuoso Ottawa Valley step dancing
as well. This dynamic, high-energy form of dancing performed
by April's award-winning feet never fails to bring the house
down.
Around the age many artists are thinking about maybe trying to put an album together,
April has five. Those recordings, Springtime Fiddle (1990),
Fiddle Talk(1995), Fiddelicious (1998) and VERCHuosity (2000)
have earned her airplay on radios all over the world, as well
as nominations for Indie Awards and Juno Awards (VERCHuosity).
Her newest album, From Where I Stand (2003), is April’s second international release on Rounder Records. Produced by fellow Rounder recording artist and acclaimed old-time fiddler,
Bruce Molsky, From Where I Standis grounded in April’s native Ottawa Valley fiddling style and also explores French
Canadian, Scottish, Irish, Latin, and Appalachian influences. This sparkling collection
of contemporary and traditional fiddle tunes (including six
originals) also features April’s debut as a vocalist.
Despite all of the curious byroads that the music of April Verch explores, all
are united by her driving fiddle playing, its phrasing both
concise and precise while maintaining a vigorous, ceaseless
bounce. Her mastery of rhythm - both in adhering to a pulse
and blending different rhythmic ideas - is her mu-sic’s greatest
virtue. It's easy to expect great things from April, and she
delivers every time. Dynamic and diabolic, soothing and soaring,
the music of April Verch will invigorate you, calm you, and
charm you.